26. Visione lontana

Visione lontana arises from the observation of a mountain landscape stretching to the horizon, where the profiles of the peaks intertwine in sinuous lines and details fade into barely perceived shapes. The central idea is to evoke the sensation of vastness and suspension that accompanies the gaze when it gets lost in a seemingly infinite space. The composition develops as a continuous flow of sonic apparitions where recognizable elements alternate with abstract fragments.

The inclusion of a live drawing performance stems from the desire to experiment with the union of two arts. At its core is the idea that musical action typically leaves no tangible traces of itself in space once it is over; what remains is only memory and emotion. Conversely, drawing traditionally leaves a permanent mark. This work aims to relate the two by creating a pictorial action that, like sound, vanishes immediately after being created. To achieve this, the painting takes place on a moving paper scroll (representing the passage of time) which, by rolling up on itself, eliminates every visible trace of the performative action, dissolving the spectator's expectation of a final product.